Movie Reviews by Albert Fried-Cassorla
Last updated: 11-14-20
********** = Loved it and recommend it ******** = Enjoyed it ***** = Decent ** = Dull * = Why did I bother?
Mole Agent - A charming "small film" about a Chilean octogeneraian who takes a job and become a bumanitarian. Very warm and delightful film!
Mid-August Luncheon - With Gianni di Gregorio, a subtle and excellent talent.
Citizens of the World - Also a delightful Italian comedy with Gianni di Gregorio and a fine cas tof characters.
From the Vine
8 1/2 out of 10 Albert stars
Little Women - written and directed by Greta Gerwig
– a mini film review by Albert Fried-Cassorla
Friends of mine who are more familiar with the book say the film takes too many liberties, especially by tacking on a biographical account of the character Jo and conflating that with the history of Louisa May Alcott, the author. A feminist friend said the script was too preachy, by having extended passages that talk explicitly about how limited were the ways in which women could earn a living back then.
I have two reservations, although, as I said, I enjoyed the flick very much:
1. The March family seems too rich. Evrything is in bundance, as if the set designer and director coud not contain themselves in their enthusiasm for physical splendor.
2. The poor family living nearby is sketched in only rudimentary fashion, as if to say: "Here are the poor people. We (the March fmaily) sbhowedd them some charity and compassion. And now we will dispense with them." I am not asking for the full Dickensian treatment.but little further tale-telling would have been welcomed. If liberties were to be taken with the story, I'd like to know mroe about those folks.
Still these are minor quibbles in an excellent evening spent at the movie theater!
8 1/2 out of 10 Albert stars
A beautiful day in the neighborhood – film review by Albert Fried-Cassorla
10 out of 10 Albert stars
Linda Ronstadt: The Sound of My Voice - I totally loved this documentary, and by extension, her personallity. She had a generous soul. I speak in the past tense, because although she is still alive, she is now suffering from Parkinson's and is tragically all but unable to sing.
Unlike many other films, it never bored me. Fascinating throughout, thanks to great movie-making and to the power of her voice and song selection. Let's not forget that Ronstadt was an interpreter, not a creator as such. Still intrepreters lgitimate artists and are needed in this world. Ronstadt's voice thrills, especially on three songs:
9 out of 10 Albert stars
American Factory - Produced by Higher Ground. Available on Netflix. (Admission: a family member of mine is involved in the company. Still, I can heartily and honestly recommend it.) This is a fascinating documentary about what happened when a Chinese company took over a failed American windshield manufacturing plant in the midwest, re-employing 2,0000 people. Cultures clash, American work standards are challenged, tempers are frayed and more. An involving story, told with inside knowledge, surprisingly revealing interviews and more.
9 out of 10 Albert stars
They Shall Not Grow Old - (We saw it on a plane flight.) An excellent documantary about World War I soldiers' lives and combat experiences. It is colorized and computer smoothed to produce an intense, fiors-tperson view. It's as if these people were still alive. Alas, all are gone. A powerful trip backwards in history!
My slight complaint is that it could have used summarires of the causes of the war and a selection of viewpoints on: Was this horrible war necessary? Over 2 million people were killed in the Battle of the Somme alone, so some discussion seems warranted, both to honor the dead and to protect the public from similar (possibly crazy) crusades.
6 out of 10 Albert stars
Echo in the Canyon - A visual and aural trip through the LA music scene of the lat 1960's and 70's. Great if you love the music of that period, such as the Mamas and the Papas, The Beach Boys, Neil Young, Crosby Stills and Nash and more. Too much time spent on Jacob Dylan, IMHO.
EIGHTH GRADE. 10 out of 10 Albert Stars. This is a super well-told of a modern eighth grader, as played by a 13-year old budding super-star. The following special ingredients do not add up to the unique power of this film. but here is a list: modern technology, cliques, meanness of kids, a dad who wants to be close to his daughter, sexuality, superb direction, realism and more. Simply, go see it!
THREE IDENTICAL STRANGERS. 9 out of 10 Albert Stars. This is an extraordinary documentary for two main reasons: it tells an amazing and resonant tale, and it is very well produced. You cannot read half a sentence about it and abound knowing that this is the story of three triplets separated at birth. So I am not giving anything away here.
What makes it very interesting. Is how the brothers gradually became aware of each others’ existences. This is compounded by their strange similarities and important differences. The film has much to say, obliquely, about the Nature vs. Nurture debate. And it has fever more to say about “scientists” who have little consideration for the fate and wellbeing of their subjects.
We are tempted to call their attitudes Nazi-like. But can you do that when the experiment planners were Jewish? I will leave that for you to decide. Some of this film is very sweet, some dark. Do not go expecting a marmalade medley of “Oh triplets, how cute!” But what you will experience will be both engrossing and thought-provoking — guaranteed.
I especially recommend this to any therapists whom i know: such as Cindy Baum-Baicker, Joellyn Ross, Wade Luquet, Linda Schenker, and Mark Schenker. But also to anyone with ore than a passing interest in forever-mutable human nature?
Directed by Tim Wardle. With Silvi Alzetta-Reali, Eddy Galland, Ron Guttman, David Kellman. In 1980 New York, three young men who were all adopted meet each other and find out they're triplets who were separated at birth. Then they discover why.
DIETLAND - 9 out of 10 Albert Stars
created by Marti Noxon
This TV series on Alazon Prime has 4 episodes so far. It is very provocative and entertaining. It is about the fat-shaming industries, ghouls (such as weight loss and cosmetics), females getting revenge on chauvinistic males and more. By the way, the revenge theme reminds me of the Ellen Jamesian Society in John Irving's The World According to Garp.
The plot lines (at least three) keep you involved and contain surprises. I found it entertaining and recommend it, although I only had time for the first two episodes. I hear that the remaining episodes are outstanding.
WALK HARD (The Dewey cox Story, 2007)
9 out of 10 Albert Stars
On IMDB, see:
How I missed this hilarious comedy on the first trip around, I'll never know. Caught it on Netflix the other night. John C. Reilly is phenomenal as he portrays any number of Rock gods of the 1950' through the early 2000's. Chiefly, he plays Johnny Cash. I found the script and filmmaking wonderful, as a satire on rock cliches. Within it are takeoffs on The Beatles, Bob Dylan, June Carter Cash (Jenna Fischer) and many more.
Even more amazing is that Reilly recorded 33 original songs for the movie with his backup band. And they are in varied styles. He handles all with aplomb. And so, it is a plum!
THE HOUSE Of TOMORROW (2017)
This movie gets your attention and holds it via strengths of good acting and directing, rounded character development, an excellent script, and a fine story arc. It is not really about Buckminster Fuller’s architecture, although that figures symbolically as the geodesic dome house-museum in which Ellen Burstyn and her charge live.
Instead, this tale is about two adolescents, one sheltered and played with great restraint and sensitivity by Asa Butterfield; and the other a rebellious, aspiring punk rocker played by Alex Wolff. The sheltered teen is zealously guarded by his granny, played superbly by Ellen Burstyn.
There is a good deal more to the story and many amusements and hijinx. But the main theme is caring — and is it is finely interpreted by the teens and the parental figures. Well done! Only available in selected theaters and via DVD
available for streaming from Amazon Prime
I, Tonya - 10 out of 10 Albert Stars
This movie surprised me. I had heard it was good, but had no idea it would be this good. My opinion of the actual, histrical Tonya Harding was poor and mistaken. This movie made me emphathize with both the real and fictional Tonya, and I was totally swept up in her story. It seems to have been a case of a woman making bad choices, as influenced by the men around her. According to the film, she had no idea that Nancy Kerrigan was going to be attacked.
I will not reveal the plot, even if it is generally available, either as fiction or biography. Suffice it to say that the film captivated me and made excellent use of staged to-the-camera interviews by principal characters, plus wonderfully scripted, acted and directed scenes. Sentimental fool that I am, I actually cried when I saw the real Tonya at the end of the movie, a victim but a triumphant one.
TULLY - 10 of 10 Albert stars
This film tells the story of an overwhelmed. exhausted, pregnant mother, played by Charlize Theron, and the various trials she faces. If that were all this movie offers, you might well say: "Not for me."
But this film TAKES OFF! And pays off. A mysterious Nanny appears - Tully - played with zealous aplomb by Mackenzie Davis. She offers to make the mom's pregnancy and, indeed, her life much better.
This description just hints at what lies in store. I won't tell you, because that is the beautiful secret of this arresting film. If you like to be challenged at the cinema - plus provoked and entertained - then this movie is for you. A caution: do not read too much about it beforehand.
The Greatest Showman - 8 out of 10 Albert stars - Highly entertaining, but flawed because it glosses over PT Barnum's poor behavior or crimes.
Theresz at Dinner - 9 out of 10 Albert stars - Mainly well made class conflict film. Has a frightening scene I regreat having seen.
The Florida Project. - 10 out of 10 stars! A truly great film. These chid actors show the beauty and fun of childhood as well as the misery of being raised by inadequate parents. Not for everyone, because the children are badly treated sometimes, mainly via neglect. There is too much to say about why this is a fantadtyic film. I will leave it to others to go into detail.
Good-Bye Christopher Robin - 9 out of 10 Albert stars -touching and evocative
Ladybird - 8 out of 10 Albert Stars Pretty good and funny. Not worthy of the hype. Especially meaningful for those who have a difficult mother-daughter relationship.
Logan Lucky - 7 out of 10 Albert Stars Entertaining. Plot was a bit hard to follow.
Mayerowitz Stories - 8 of 10 Albert stars
A Hard Days Night - 10 of 10 Albert stars- Unbelievable that I never before saw this very amusing film about my favorite band.
Trip to Spain - 5 out of 10 Albert stars- Overrated, egotistical and mainly unfunny movie.
MAUDIE - a mini review - 10 out of 10 Albert stars
This beautifully told story deserves your attention! Maudie is a tale of a lonely, afflicted woman who creates a space for herself in this world by dint of her pluck, artistic talent and charm.
The principals are Sally Hawkins as Maudie and Ethan Hawke as a gruff and even abusive fisherman who hires Maud as his housekeeper. How the rest of the relationship develops is the essence of the story, and I wont spoil it here. Hawkins' performance is Oscar-worthy and calls for substantial emoting. Hawkes' role calls for more restraint and infinite shades of dumbfoundedness, irritation, bewilderment, and occasional apercu of realization. He shows these emotions with only slight changes of expression that are fun to watch.
Maud Lewis was a self-taught artist, kind of like a Grandma Moses of Canada. The landscape is Prince Edward Island, which I was fortunate to have visited a few weeks ago. Lovely landscapes and great Nature views abound. I saw "Dunkirk" the week prior. This film is like Dunkirk in Opposite-World!
9 out of 10 Albert stars
The Big Sick - This is a fine film for multiple reasons: it entertains most of the time; it delivers a good dose of meaning in terms of human suffering; it shows the powers both of empathy and prejudice among the characters; it is based on a true story that has resonated with me, my friends and the audience, and more. Excellent acting all around. Go see it!
9 out of 10 Albert stars
Their Finest - This is a thoroughly entertaining movie about film indistry workers in England during World War II. The story focuses on a female writer who rises in stature because of her talents and also because of a shortage of male writers. It has a strong love angle and a superb performance by Bill Nighy as a preening, conceited acTOR! Keeps your interest throughout (or at least it did mine.)
8 out of 10 Albert stars
Paterson - If you like poetry - especially imaginatively enhanced poetry - I think you will enjoy this movie. And if Adam Driver is your guy, who will see a new side of his acting talents here: serious, human, not "attitudinous" as his character was in Girls. The film is about a bus driver who writes poetry and also about his various relationships. The actual poetry quoted belongs to Ron Padgett, although it is attributed fictionally to the lead character.
The title throws a curveball, if you are familiar with Paterson, the book of poems by William Carlos Williams. You might think it has something to do with him, but NO. (He does get one mention, as do Abbott and Costello and other Patersonites of note.)
10 out of 10 Albert stars
Toni Erdmann - This film engaged me and did not let go for its entire 2 3/4 hours. This is about a late middle-aged father who wants to get back into the life of his busy business executive daugher. He tries various silly stratagems to do this, most of which are humorous and pathetic. The lead actor, Peter Simonicchek, is fantastic -- as is his daugher-character, played by Sandra Huller. The two play off each other with so many varied moods and moments.
There are many surprises in this movie! Of course I won't reveal them. It's available on Amazon video, by the way.
I Am Not Your Negro
Tin Men (DVD)
Rumor Has It (DVD)
Revolutionary Road (DVD)
9 outof 10 Albert stars
This was a very entertaining historical film, full of surprises. Lots of romance here, but built on pillars of history. As you probably know, this film if about the role of African-American women scientists in advancing the US Space Program in the 1960's and beyond. Of the three lead ladies, Taraji P. Henson has the largest role and is the true standout of the picture. A very inspiring film for women and African-Americans, especiallty -- or for anyone who cares about social progress and science.
2016 - end
Lion -- a moving, powerful film!
I give this film nine out of and a half out of 10 Albert stars.
This movie tells an engrossing tale of a poor Indian boy who gets lost while trying to accompany his brother on a brief and dangerous journey. What unfolds is gripping – – we are ineluctably drawn into the welfare and safety of this charming young child, lost in the labyrinth of unfeeling adults and the steely mechanics of the Indian railroad system.
The first hour of the movie is spellbinding as we see the young character named Saroo cope with the bewildering landscape of urban India, so far away from his home. Later in the movie we see Dev Patel play his older self in a star turn. But the overwhelming credit for the power of this movie, besides going to the writer and director, belongs to the child star, played by Sunny Pawar. His magnificent performance is the best I've seen by a child actor Quvenzhané Wallis in Beasts of the Southern wild.
My slight complaint is that near the end of the movie, the pace slows to a crawl and we are forced it to study Dev Patel's anguished face as he goes through the ritual of searching for his home. Nicole Kidman is great as Saroo's white adoptive mother. However, she has a lengthy monologue that it's not compelling.
Those comments aside, this is still a gripping story, maybe the best I've seen in 2016 or 2017. So go to the theater – – hear Lion roar!
Everybody Wants Some! Nine out of 10 Albert stars.
Simply put -- for a fun time, go see this flick. It's an effervescent and irreverent look at college life in the 1980s, as seen from the viewpoint of college baseball athletes in Texas.
Everything does happens that you can imagine happening in a campus comedy, but even so, it's always surprising. Richard Linklater is a wonderful filmmaker who has a relaxed and natural way of presenting characters and events.
The escapades roll on and keep the audience entertained and often in stitches. The actors are comical in an unforced way, and every scene is cleverly constructed. The net result is that you feel you've enjoyed the company of some startling lunatics having a good time. I bet that even with the rigors of film production that this gang of actors really did enjoy themselves. Clever wit and innovative physical scenes keep your mind hopping. See if you agree: crazed pitcher character reminds me of Weird Al Yankovic on steroids.
If I could add one thing, it would be more of a plot. But Linklater is not too fond of traditional notions of plot, I think, so that's OK. Zoey Deutch is so appealing that she could've played more of a role in the movie, perhaps in the same way that Katharine Ross's rol did decades ago in The Graduate. But that's a small complaint. As I said: go see it and have a fun time!
Star Wars seven. I give this an 8.5 out of 10 possible Albert stars. I know that all the world is watching, so I have to be very careful about my evaluations.
I saw this in the third row of a small movie theater with a really big screen in 3-D.
My friend and I enjoyed it
tremendously. You just have to have the right expectations.
If you're looking for an indie movie, stay away! A few things that I really loved about it were the varied forms of humor that are laced throughout, the startling visuals, engrossing scenery, bizarre costumes and images, plus the fast pace. The sand dunes in the early scenes are great to look at, especially when one character rides down a giant doon on a shell or something.
The movie's plot is very reminiscent of the first Star Wars film, as many people pointed out. That's fine with me. I was not looking for originality, just entertainment.
The scene in the bar is very enjoyable, with all the strange creatures. I wish it were longer and that they had come up with more strange drinks, and more exotic aliens to gawk at. Also, the cast should be more integrated, especially with Asians. I kept thinking that millions of Chinese people are watching the same film, and that no one on-screen looks like them. Surely that can be fixed in the next version. I understand that Disney wants a new Star Wars film every year. So integrate! Since part of the film's message is fighting tyranny, having a more integrated cast could boost the resonance of themes of freedom and democracy worldwide.
The acting is generally good. I had not seen any of the Star Wars prequels, sequels etc., but this one was as good as the first. So if you want to have a good time at the movies, and what I've described above sounds interesting, then go. You'll see what half the planet is talking about!
Carol. 8.5 out of 10 possible Albert stars. This movie is sumptuously designed and beautifully acted. They key fact is that it draws you into the story and keeps you interested. Of course, so many other aspects of the film are wonderful: the period atmosphere, which Todd Haynes recreates so well; the great costumes and coiffures, the period automobiles; the Midwestern motel and more.
Cate Blanchett is so intriguing to view, with her waves of blonde, perfect hair, pretty outfits and long red slash of a mouth. So the physical helps maintain you interest in the character. She is complex, and on this I must disagree with some user-critics in IMDB.com, who say she is shallowly drawn. Rooney Mara's character matures and changes in intriguing ways. And the men do not come off badly in general. I will not say more about that since it would give away some pilot points.
So, on balance it is an involving picture, if you think you care to watch a well-told tale about two women in love or lust in the 1950's. Now for a few criticisms:
There is too much emphasis on automobiles; pretty as those molded 50's car were, instead we could have had brief snippets of revealing everyday conversations among pedestrians.
Also, the pace was a bit too slow for my taste. Still, a very enjoyable film, and one of the best I saw in 2015!
To Rome with love
Beasts of the Southern Wild
Friends with Kids
Academy Award Winning Short Films: Live Action,
Midnight in Paris
Tree of Life;
Secret of the Grain
Prelude to a Kiss
My Life in Ruins
Hugo, The Artist,
Monkey Business (DVD)
My Life in Ruins
How to Live Forever
Pocket Change (Truffaut, streamed)
Tree of Life
Midnight in Paris
Joan Rivers, A Piece of Work (video rental)
Eat, Pray, Love
Exit Through the Gift Shop
Elling - (Netflix) ***** - a wonderful comedy about two Norwegian men, mentally challenged, who manage to become independent and enjoy life. Very charming!
Cyrus ***** - Very engaging, serious comedy.
The Kids Are All Right **** - with Mark Ruffalo.
Winter's Bones *** - I know all reviewers loved this. The acting was fine and the plot tense and strong. But too depressing for my taste.
Next Stop Wonderland **** - Phillip Seymour Hoffman, Hope Davis - charming flick! On DVD.
Get Him to the Greek *** - Funny!
City Island *****
Very Young Girls
L' Atalante - Jean Vigo
Sideways. This movie is a road story, a serio-comedy about two single men who help each other, have hilarious adventures, come to understand wine and to a far less extent women. Paul Giamatti is sensational as a depressed single guy who can't grasp happiness, even when it's in his hands. The "getting the wallet" scene alone is maybe the funniest piece of filmmaking I have sene in years. Absolutely hilarious! And best of all, this film has resonance.
The Incredibles. A very entertaining animated film about a Super Hero family where the Dad is trying to hang up his uniform and retire from superpower-dom. It's funny and smart, and mainly good family fun. I would have preferred much more comedy and less "Dr. No" style shenanigans, which domninate the second half of the film.
Kinsey. With Liam Neeson and Laura Linney. A fascinating movie about the trsail-blaxing sex researcher. It's a character study of his obsessive nature, what it takes to achieve in a new, controversial field, and the sufferings imposed on him by society. Neeson is wonderful and belieavable, extreme and yet nuanced. Linney is wonderful. Makes you glad you did not live back in the dark old days.
However, I must admit I could not get absorbed in the characters. A
haze of gray listlessness hangs over the movie, like four month of
The acting is energetic and some of the original songs are very comically written and lustily performed.
But all of the endless private eye detail about "who did what to whom" was annoying. I think this movie would have benefited by being more of a comedy, which it is good at, and less of a film noir plot exposition.
Monsieur Ibrahim - Omar Sharif stars in this tale of an old Parisian shopkeeper who befriends a boy from a broken family. The boy is Jewish, and Sharif's character is a Sufi mystic. This movie is about finding joy in the world and the art of being happy and giving and taking what you can from life, including friendship and romance. The story is beautfully told. In fact, I loved it and its messages. It is like a less impish, less whimsical Amelie, one of my favorites of all time. The messages are similar, but this is no pastiche. It's happy and sad, and therefore like life itself!
My Architect - Nathaniel Kahn, the unacknowledged or illegitimate son of the famous architect Louis Kahn, has created this great tribute to his father. The elder Kahn did not treat him well, but the son is forgiving, emphasizing the positive aspects and in some ways the unnknowability of his dad. This film succeeds on many levels:
· it is compassionate, because Nathaniel is very likeable, warm, and inquiring;
· it gives an appreciation of an architect whose best work is extremely inspiring, complete with visual tours of his masterpieces;
· it shows how hard the past is to recapture, especially when the focus is a person who led mysterious and duplicitous lives. Louis Kahn had a wife and two mistresses, totalling three families.
In America - Jim Sheridan's wonderful story of coming to America as a poor Irish actor and dealing with strange characters and situations in Hell's Kitchen in NYC. Sara and Emma Bolger as his daughters are marvelous and touching. This is the best movie I have seen in some time.
Big Fish - An imaginative movie from Tim Burton that tells a loving story about a story-teller, played by Albert Finney. It's pleasant enough and a good tale, but not substantially moving.
2003 - 33 movies
The Cooler - William H. Macy stars as a "Cooler," or casino employee who brings bad luck to otherwise winning casino players. Maria Bello plays his love interest and Alec Baldwin his boss-tormentor. Ths fliuck has an excellent script, great humanity, exceptional acting and a structure that builds in interest and emotion. A real winner!
Station Agent - Peter Dinklage plays a dwarf who wants to escape to a rural abandoned railroad station, where he can be himself. He can hardly be his own, as neighbors are inelectably drawn to him, messing up his peace, but perhaps bringing him humanity.
Intolerable Cruelty - Bill Murray plays an actor visiting Japan, where he is alienated.... except his hotel neighbor. They connect in a Platonic affair. Warm, comical, and touching. However, Japoan unfairly comes across as a land of crazed automatons.
Love Actually - High Granyt plays Britain's Prime Minister, whose heart is slowly won by his assistant. Actually, this story includes many love stories, mostly deftly woven together, not all sweet. Entertaining!
Elf - Starring Will Farrell and Jack Newhart, among others. Comical and sweet tale of an overgrown elf, really a human. What makes this movie exceptional is that it is so ingenuous and sweet.
Intolerable Cruelty - Directed by Joek and Ethan Coen, with George Clooney and Catherine Zeta-Jones. A very funny, fast-paced romp about rapacous lawyers, Holywood golddiggers, the strange prospect of love amidst all of this, and more. Smartly done and great fun.
School of Rock - Fun romp from Jack Black, as a subversive music teacher who secretly helps his students become excellent rockers.
Nowhere in Africa - A very well-told tale of holocaust fleers who fiund some sort of refuge in Africa. A very warm and touching tale, especially in the children's relationshp with Africans.
Mystic River - From the novel by Dennis Lehane, with screenplay by Brian Helgeland, directed by Clint Eastwood. With Tim Robbins, Sean Penn, Laura Linney, Kevin Bacon, Marcia Gay Harden. A searing drama, which unfolds a well-told tale about childhood friends, molestation, kidnapping, rape, murder and revenge -- you know, the usual light-hearted Eastwood topics. This works a a whodunit and as a character-driven drama. I think it aspires to be a moral tale as well, and that's where it fails to achieve greatness. Stop reading here if you don't want to know much more about the plot.
When Sean Penn decides to exact revenge and does so upon the wrong person, the Laura Linney character (his wife) convinces him that he is a :king among men," and such people don't look back or admit to errors. Sounds just like Bush and his Iraq quagmire, if you ask me. OK, so I can disapprove of the characters' morality but admit that people like this must exist. But writers and directors choose topics and tales, and we can believe that their selection is instructive and uplifting -- or not. This is a case of not.
The lesson that it seems Eastwood wants to convey is: Good men can kill the wrong people. But it's all right; its the way of the world, and the price of truing to protect your family. Also: crimes committed in childhood play out later in life and wreak havoc in peoples lives many years hence. I can believe that, but it's like knowing that rain must fall.
Despite these complaints, I was very involved in the film which had many fine dramatic moments, especially those involving Tim Robbins.
Lost In Translation - A funny and poignant love story about Bill Murray and Scarlett Johansson's characters, each lonely though married and feeling abandoned in Tokyo. Murray is excellent is a sort of beat-down, sophisticated and wry way. Johansson is fresh, beautiful and genuine. Japanese people come across poorly, and this story probably does a disservice to them. Still, it's entertaining and moving.
Russian Ark - An exploraiton of the Hermitage Museum in Leningrad, Russia, done as a series of historic tableaux, representing different eras in Russian history. Entertaining in part and bewildering and slow-moving in others. This was shot in one long take. Ambuitious. The ballroom itself and dancing customed characters are especially magnificent visually.
Finding Nemo- A beautifully made funny animated flick with lively, interesting characters. Did I say beautiful only once? Let me say it twice. The pastels, the gorgeous ocean and evanescent creatures and photographically real whales are extraordinary.
Yet the characters are the most important -- a cute story about a clownfish Dad, played by Albert Brook's voice, and his son Nemo, who gets taken away. The story cocncerns his efforts to find him. Sure, thaty's typical fare for a plot line, but how the story is told makes all the difference. Ellen Degeneres is great as Darla, a forgetful blue fish. Now I did see this with my nieces and nephews and that made it more special. But I think anyone can enjoy this fun flick.
Whale Rider - A beautiful film about an elder Maori tribesman who seeks a boy who will become the new leader and savior of his people. His granddaughter seeks this role, but he rejects her. What happens next is the essence of the story, told beautifully and even poetically. Starts slow and builds interest and power.
Pirates of the Caribbean - A playful film about pirates that actually takes a theme park ride and makes an amusing story of it. Johnny Depp and Geoffrey Rush excel as pirates. The arch tone and comedy make it fun. All of the violence is highly stylized and strictly designed to be amusing and non-threatening.
Swimming Pool - A movie about a prim mystery writer who spends time at her publisher's villa in France. She meets the publisher's licentious daughter, and the fireworks begins. It has a surprise ending that I did not quite understand or care for. But I enjoyed the story nonetheless. Strong characterizations and good writing.
Nowhere in Africa - An emotionally very rich story about a Jewish family fleeing from Nazi Germany to Africa, leaving behind their man's father. The story shows how historical events stressed the couple's relationship. The actress playing their daughter does a wonderful job, especially in relating to her new African neighbors.
Russian Ark - A historical tour of The Hermitage Museum in St. Petersburg, complete with acted vignettes showing scenes form the Czars's lives, elegant balls and more. Shot in real time. The interior architecture is splendid. Don't expect a normal film - this one wanders and makes you wonder.
Capturing the Friedmans - At first, because of the subject matter, I did not want to see this documentary about a convicted pedophile and his trial. But glowing reviews convinced me otherwise, and I am glad I saw it. The movie is more about the Roshomon-effect of people's divergent views of an alleged crime. The filmmaker leaves you to figure it out. Very absorbing dialog and scenes from a family that talked about and recorded everything. Poses disturbing questions about the American judicial system.
Bruce Almighty - Jim Carrey and Morgan Freeman are wonderful in this comedy about a man who expects too much from life and from God, and who gets a lesson. The script is witty, and the treatment of religious themes is, in my opinion, respectful. Best of all, there are TONS of laughs and a good deal to ponder philosophically about what Life dishes out, and how we regard it. In one scene, where Jim Carrey manipulates an evil anchorman's on-air lines, I laughed so hard I had to look away from the screen for fear of choking!
Tons of laughs and very witty. Levy's character is the most interesting, and he makes the film work. Sap that I am, I actually liked the film's pretend music! As the Times critic said, it made me want to dust off my old Mitch and Mickey records -- until I realized there weren't any!
This is the story of a New York hit man who becomes enamored of the
tango. Duvall was in real-life stung with tango fever after seeing the
touring show, Tango Argentina. He then made 30 trips Buenos Aires, and
this movie is in many ways the result of his passion.
The Hours - With Meryl Streep, Nicole Kidman, and Julianne Moore. This is a good movie IF and only if you can tolerate a flick that is almost exclusively about suicidally depressed people. The three stories concern the author Virginia Woolf and her husband Leonard, who is desperate to prevent her suicide; a mother (Moore) who has enormous yearnings to kill herself despite the needs of her young son to see her survive; and Streep as a latter-day Mrs. Dalloway, a Woolf character, struggling to keep her AIDS-ridden brother alive.
Does this sound like a sad evening in the movie theater? Yes, it is. Then what is the reward? Well, if you care about good story-telling, you will find it here. The characters speak convincingly about their particular situations, especially about the right of each of us to end our own lives, if we so choose. The fallout and damage of this choice are inevitable, and are shown here unflinchingly. One consolation: many of these characters, historical and fictional, had their dilemmas before good treatments were available for clinical depression.
Bringing Down the House - Starring Steve Martin and Queen Latifah. This is a hilarious movie! At least I and the audience I saw it with agreed that it is so. Steve Martin plays an uptight lawyer, and Queen Latifah a brassy wrongly-accused criminal. There's much racial stereotyping, so be forewarned.
I am a total Steve Martin fan, and so I am prejudiced in favor of this flick. He reprises some of his famous Wild and Crazy Guy routines from the Saturday night Live days.... and the younger generation has never seen it, so it is new for them -- which is great!. Wonderful to see him in such rare form, and doing new things, too, like the homey rapper routine. Latifah is a great foil. As critic Carrie Rickey pointed out, much like Mae West to his W.C, Fields. Although Fields never had Martin's body English.
Talk to Her - Directed by Pedro Aldomovar. I loved this film! It's about two women who go into comas and the men who care about them. But of course, that oversimplifies. This fil is rich in emotion, color and inventiveness. It also possesses a very interesting and comical fantasy sequence! It's hard to say any more without giving it away. Made in Spain and in Spanish. If you don't mind sub-titles, see it!
Chicago - With Rene Zelweger, Katharine Zeta-Jones and Richard Gere. Imaginatively done dance musical exudes entertainment. The story may be slight, but so what? Don't expect Fred Astaire and Ginger Rogers-quality dancing. But do expect maxmum imagination and staging.
Adaptation - directed by Spike Jonze, with Nicholas Cage and Meryl Streep. This is a story about a neurotic screenwriter and his relaxed, easygoing twin brother, both played with style by Cage. This film is almost as imaginative as Jonze's earlier Being John Malkovich. Although it has several self-referential sections,and tautological imaginings of writers looking upon writing and the process. While that approach is usually deadly, here it works beautifully! Streep is involved in writing a story about an "orchid thief" who leads a weird but happy life. Enter Cage and his own story-hunting, and mayhem ensues. The interaction of the two brothers is the highlight of the film for me. Definitely interesting and different!
About Schmidt - With Jack Nicholson and Kathy Bates. Jack Nicoholson does not play his exact old self in this one, about a retiree trying to connect with his family and the world. I like the untraditional plot structure of this film, Nicholson's and Bates' performances, and the moving ending. Much of what I loved about this film is not easily isolated and identifiable - it's a good story, well-told.
Real Women Have Curves - Josefina Lopez delivers an excellent script and movie, based on her play about a family of hard-working Chicanas in the L.A. area. The youngest sister, played by America Ferrara, aspires to much more than the factory life of her mother and sister. Filled with buoyant humor. Sort of like a Mexican Big Fat Greek Wedding, but with more insight.
Far From Heaven - A great recreation of the 1950's, showing an upper middle class corporate family falling apart. Also, a poignant love story is told. Gorgeous scenes and lovely photography, plus excellent acting. Never reaches the high voltage that I think some scenes deserved, though. And I lived through the 1950's. It wasn't that slow!
Autumn Spring - Directed by Vladimir Michaelek, 2001 - I absolutely adored this movie about a retirees in Czechoslovakia, two of whom are quixotic schemers and deceivers -- but i a good-hearted, innocent way. A man pretends to be a millionaire in order to tour a mansion and get a free lunch. He drives his wife crazy! She finally tames him... and then the unexpected happens. Absolutely filled with delight and love of life.
The Piano Teacher - Sado-masochistic tale of a piano teacher and her repressed personality, then strange erotic habits. It's a good story, but I found the ending unsatisfying. Others in my group who saw it thought it was fantastic.
Rodger Dodger - 2002. Campbell Scott plays a neurotic lover-type whose neurosis interferes with his success on all fronts. He shepherds a teenage relation in the ways of sex and women. A very well-told story.
Last Dance - a film by Mirra Bank - Jewish Film Festival at the Gershman Y, Philadelphia - This is a documentary abut the making of a dance-theater piece called "A Selection," by Pilobolus Dance Company. They dramatize a story by Maurice Sendak that concerns the performance of a musical by children of the Nazi "model Jewish camp." The interaction and conflicts between the dance company and author are remarkably candid and revealing. Their story told is a sad one - what could be sadder than children and Nazi death camps?
Amazingly, though, you come away from this evening seeing that something beautiful can be produced, without sugar-coating, and without leaving feeling depressed or deluded.
Punch Drunk Love - Starring Adam Sandler and Emily Watson. Directed by Paul Thomas Anderson. This is a romantic thriller, whereas it's billed as a romantic comedy. No matter, this film has an excellent story, well-told and well-acted. Adam I wasn't a fan before, but I admit that Sandler is wonderful in this film.
Kissing Jessica Stein - Written, direct by and starring Heather Juergensen and Jennifer Westfeldt - An entertaining story about a woman who -- as a result of a coircumstance and an opportunity -- funds herself exploring a lesbian relationship. She surprises herself, not to mention those around her. Of course, that's too neat a summary.
In between, there are lovers, tense experiences and a whole lot of humor. These creative women worked on this as a play in New York before it was filmed. I bet that helped its flow considerably.
Last Orders - Written and directed by Fred Schepisi. With Michael Caine, David Hemmings and others. A tale of life-long buddies now in their late middle age or early retirement phase, who must disperse the ashes of their now dead drinking buddy. Very little about the dispersing, it;s more about the dreams, loves, and aspirations of these men over the years. Very well done.
Y Tu Mama Tambien, directed by Alfonso Cuaron - Excellent, sexy, rough and vulgar, this movie talle sthe tale of two Mexian teens who go off on an adventure with a middle-aged woman. A great deal hapens among them, and it all makes sense and entertains us. In the end there is poignancy but enough said. The film will be too sexy or trashy for some people.
Monsoon Wedding - directed by Mira Nair. A funny, warm, colorful and moving tale of an Indian wedding. It has 5 sub-plots, all interesting. This is a delightful movie worth recommending to just about anyone!
Harry Potter - Amusing journey.
The Fellowship of the Ring - Maybe the story;line is cliched, but this production is still very powerful stuff. Lots f strong emotions and matchingly great effects to keep me attuned.
Her guiles continually surprise us, and the movie plays with great style upon our minds. Amelie is played by Audrey Tatou, who is xtraordinary and captivating. The film teems with inventiveness. and with the spirit and wisdom of European civilization.
Although Jeunet uses rapid montage and other modern techniques, these effects never submerge the story, which is mainly abut romance, life, and the need to take risks in both.
It was shot in 80 different Parisian locations and is visually beautiful. Plus, the film has a great soul. It's one of the best movies I have seen in a long time!
Under the Sun - 2001, produced and directed by Colin Nutley, based on a story by H.E. Bates called "The Little Farm." This is a Swedish film made by an English director. He casts his real-life wife as the character Ellen, played by Helena Bergstrom. She is a beautiful woman who signs up as a housekeeper to a lonely farmer, Olof (Rolf Lassgard). The love and passion that grows between them is so strong, you feel as though you have stepped into a real 3-dimensional sensual relationship. Olof's snake-in-the-grass friend, Erik (Johan Widenberg), proviodes the necessary spice to make this a real story. I loved this film forn its beauty and passion, though I suppose not everyone will feel that way.
Perhaps the heart of the movie belongs to the kids in it. They protest against their elders for the right to eat meat and watch TV, among other things.A girl from the commune and a chubby, cute boy next door find they have an interest in each other. Their scenes are touching and often funny.
This movie is about love, aspirations, being open to new situations
and learning from what the present delivers.
Bread and Tulips - 2001 - A fine romantic comedy, set primarily in the visual splendor of Venice. This movie was directed by Silvio Sildini, and written by him and Doriana Leondeff. It stars Licia Magietta as Rosalba. It is the story of a bored Italian houiseife, married to a loutish industrialist husband. (He has no redeeming virtues, so don't looks for nuances.) Her teenage sons are also rude. On a trip to Greece, the family leaves Rosalba behind. Rather than stay and be retrieved, she hitchhikes to Venice, which she has never seen before. There, she meets interesting, eccentric people. Rather than say what happens, let's just hint that interesting, romantic and other events transpire. Rosalba's husband hires a detective to track her down. He is played by Giuseppe Massironi, who is squarely in the tradition of talented, corpulent comedic actors. An entertaining film worth seeing!
Ghost World - 2001 - An entertaining tale about two young women who decide to toy with a lonely man. The results are ssurprising. Stars Thora Burch, Steve Buscemi, and Scarlett Johansson. Directed by Terry Zwigoff.
Divided We Fall - 2000 - A Czech film directed by Jan Hrebejk - A wonderful movie about love, betrayal, finding friends in unexpected places, role reversals among hunters and the hunted, and more. A Czech family shelters a Jewish refugee while under Nazi occupation. Among the dilemmas is the nature of an apparent friend of the family, a man named Holst, who is also a Czech collaborator and now an SS officer. The husband and wife are called Joseph and Marie (and I realize only in retrospect that these names have some significance.) They are trying to get Marie pregnant. This fact has an important role in the movie, and it is better not to say more about it here.
Powerful and emotional, this film has an important message about humanity surving by sticking together. And yet there's no preaching here, just terrific story-telling. Despite some slow spots, I give it my highest rating. It takes you places where a great films should go.
The director has some eloquent words to say about his own film. They might sound inauthentic had he not produced a work as fine as he has. Here is what Jan Hrebejk said: "For me, the film's story is my personal reflection on the strength of human dignity. It demonstrates that even a small show of decency can manifest great heroism and, conversely, that sometimes a small indecency can be tragic."
Made - 2001 - Written and directed by Jon Favreau, and starring him and movie team-mate Vince Vaughn. A story about two would-be thugs who are also pals, one stupider than the other. Favreau's character has scruples, thgough. He wants to help his wife escape prostitution and drug addiction. Doing "a job" for Mafioso Peter Falk looks like a way out. This takes them into the world of big-time drug dealing. Vince Vaughn's character makes every social mistake possible. Watching him makes you cringe, because you see him as a prisoner of his own character defects. And at times, this personality flaw results in hilarious scenes, as in an argument about whether to pack a gun. They have this furious argument in the Penguin House of the Bronzx Zoo, and somehow even the penguins seem to feed off the tension with their screeches. The movie has a warm human heart, as you will also see.
This Boy's Life - (rental) - Leonardo DeCaprio, Ellen Barkin and Robert Deniro. Based on the real life story of writer Tobias Wolff, this movie begins with young Toby and his Mom cruising the southwest, lloking for furture or just place to live. Their downflaa is the town of Concrete, in the state of washguington, where his Mom takes up with a loutish, hard-drinking man (played by DeNiro), who torments Toby's every hour. Toby develops an escape plan. The poewre of the movie lies not in this simple plot, but in the believable way in which the story is told, and the genuine anguish of the young man lliving out his existence under a pseudo-father's thgumb. DeNiro is brilliantly hateful.
Shrek - I very much enjoyed wonderful animated flick about an ogre, Shrek, who finds himself in the position of rescuing a damsel in distress. Eddie Murphy's voice does wonders as the ogre's companion, a talkative donkey. John Lithgow's voice does a good job as a King who has asked for the damsel to be delivered to him. In return, he will liberate a legion of storybook characters who have take over the ogre's swamp. There's more, including a fabulous female dragon, a lunatic Robin Hood, and many comical, humorously rendered characters.
What I have not yet conveyed in writing about this movie is the warmth and humor of the script. It's very funny and written for adult minds, having a very wry sense of tiself. Among the targets: Disney, mother goose rhymes and more. The computer animation works because gestures are apprpriate to the script and sensitively rendered. A fun film with many laughs!
The Widow of St. Pierre - Based on a real incident that took place in french Quebec in 1849, this remarkable film takes the viewer on an emotional, historical journey. In the film, a killer is arrested by the local militia. A captain is in charge of the garrison guarding the prisoner. His wife, played by Juliette Binoche, takes a mainly humanitarian interest in rehablitating him. Her husband, played by Daniel Auteuil, defends his wife's right to rehab the prisoner. He sson becomes too popular. The captian comes into conflict with his superiors. Meanwhile, a guillotine is on its way from Martinique. What happens from here on forms the basic outcome of the story, which is powerful and rich.Worth seeing!
Memento - I found Memento confusing, depressing, and ultimately unrewarding. Others may well enjoy its fst paced and intellectual teasing game about: What is going on? and What did he really do? Now it's true that I don't enjoy most detective movies -- but did enjoy for exmaple LA Confidential and Chinatown. This one seemed to have little soul, no characters I cared about, and more than its share of unnecessary confuision. That's perfect for people who like to solve puzzles in movies. Not one of my delights! I do give the picture some credit for stylishness and a bit more for provoking curiosity.
Crouching Tiger, Hidden Dragon - A visual feast of a movie, complete with a solid story line and incredible martial arts scenes. The swordplay is especially well-done. Now, understand that I am not fan of the martial arts genre. In fact, had this film not received all of the critical hoopla that s has, I probably would have run in the opposite direction. But I think it deserves much of the praise it has gotten. Be prepared for sense where people "fly." It happens in a way that is both poetic and exciting. This is a love story, and a tale of revenge and multiple betrayals.
You Can Count On Me - Now I happen to have loved this film. I feel it tells a rich, moving story, deals with relatively real and believable characters, and has character, wit and warmth. This is the story of a single mom and bank employee who is trying to raise her son. She has trouble finding care for him, so she invites her ne'er-do-well brother, played by Mark Ruffalo, to come help her out. This causes interesting developments.
What more can I ask for in a basically serious film? Laura Linney is the only actress you might have heard of in this one, so don’t go expecting marquee names. The script is by Kenneth Loneran, and I would love to see more from him, since he is an excellent talent.
Chocolat - Juliette Binoche stars as a the owner of a new exotic chocolate shop in a provincial town. Her enemy is the mayor, who regards her as nearly an incarnation of the devil. This sets the stage for conflict, and chocolate sensuality. Johnny Depp provides a romantic interest. All in all, a charming flick. Yes, a bit on the syrupy side, but the perfect antidote to chilly winter nights.
What Women Want - A light, enjoyable comedy starring Mel Gibson as a male chauvinist, idea-stealing advertising executive. Helen Hunt plays his new, talented and threatening boss. Mel develops an unusual talent part-way through the movie -- he can read women's minds. This dynamic sets up some frothy comedy, with very amusing scenes. This movie gives you a fun time at the movies; just don’t go with super-high expectations, and you won’t be disappointed.
Billy Eliot - This is a mildly charming story about a British boy who wants to become a dancer. His coal-miner father and brother do not understand and resent it. A kindly but crusty female ballet teacher takes young Billy Eliot under her wing. Predictable, a bit thin on story line. But several of my friends found this movie fabulous.
Best of Show - This is a campy, invigorating comedy about eccentric dog owners preparing for a big dog show. Very comical portraits! Actors improvised some of the scenes, and they did excellent jobs. Actor/director/co-writer Christopher Guest gets most of the credit and turns in the funniest character.
Life is to Whistle - A brilliant, surrealistic Cuban film.
Michael Jordan to the Max - If you enjoy great basketball, this one is for you. Michael is 5 stories high (seen at our IMAX in King of Prussia, PA). Best are the up-close action shots, where you see what goes on in such much better detail than you do even at a game or on TV. It is a piece of idolatry, but if you have to idolize an athlete, he's not a bad one. 60 minutes long. Did not see the second feature, In the Deep, which costs $10 additional.
Chicken Run - A comical "Stalag 17" on imprisoned chickens, in pixelated animation with Mel Gibson as the lead rooster. Very entertaining! This is like claymation but with a more malleable plasticene as the main medium. What makes this work are the excellent writing and amusingly voiced characters. It has a good villainess, too.
East is East - A tale of a Pakistani family in London. The dad wants to marry off his sons to traditional Pakistani émigré women, but the sons are unwilling. This is a great oversimplification of a dynamic, touching, sometimes frightening movie. It also has one of the funniest scenes I have ever seen in a flick! Very enjoyable. Be ready for some family violence. The best movie I've seen this year.
Frequency - Very deftly told story about a father in 1969 communicating with his son in 1999. This is a crime drama, a sci-fi flick, a sensitively portrayed family story, and much more. Beautifully interwoven, and suspenseful. You must pay close attention to follow the denouement.
Small Time Crooks - Cute and comical from Woody Allen. Crooks and high society, schlubs and aspiring nouveau riche. Worth going out to see for a few light laughs.
Bossa Nova - Romantic and often funny tale of Amy Irving and her beaus in Rio de Janeiro. Diverting, and as one critic said, makes you feel like you just had a good, inexpensive foreign vacation.
Yana's Friends. Directed by Arik Kaplun. I saw this film as part of the Israeli Film Festival here in Philadelphia. An enjoyable comedy-romance about a Russian immigrant woman who comes to Israel with her husband. He soon abandons her, pregnant and in debt. She take sup with a videographer who lives next door and treats her well. However, he is a voyeur. Set during the Persian Gulf war, there's sex with gas masks on and other such goings on. A wonderful sub-plot involves an elderly Israeli war veteran in a wheelchair who is used by as a beggar by a younger couple, who profit by donations given him. Sounds grim, but it's basically played as a campy thing, which many wheelchair out of control scenes. The director and female lead were in the audience that night.
Erin Bronkovich with Julia Roberts and Albert Finney. An entertaining story about a down-on-her luck Mom who gets a job in a law office. One thing leads to another, and soon she is taking on a major utility in a class action suit.
Wonder Boys with Michael Douglas. Scattered tale of a pot-smoking novelist professor, and a weird young man he takes an interest in. Douglas, the novelist, also has an affair with a colleague's wife. Why he finds her attractive is hard to figure -- she's humorless. A shaggy dog tale packaged as a movie.
The End of the Affair, with Raiphe Fiennes and Julianne Moore. A tale of tormented passion, Fiennes' specialty. But he is so good at it. Moore is convincing, too. Rainy and perhaps dreary to some, to my mind it was sharply passionate except for some dull moments. A good passion story.
Man on the Moon. By Milos Forman. With Jim Carrey, Courtney Love. A fabulous rendering of the Andy Kaufman story. I love the imagination of the man, as a performance artist, limits-pusher and comedian.
The Talented Mr. Ripley. With Matt Damon. A gorgeous movie, well-acted with surprises. Be ready to meet a real sicko.
Liberty Heights. By Barry Levinson. 1999. Engaging story of a Jewish mobster in Baltimore in the 1950's, and his son's romantic trials. Themes of racism and anti-semitism play against a mostly warm and comedic landscape.
Being John Malkovich. 1999. directed by Slike Jonez. John Cusack. Off-beat totally unique premise -- that people can enter the head of John Malkovich through a portal on a floor of an office building. But the premise is not the only good thing about this flick -- the follow-through is also lively and inventive. One slightly violent mid-section mars the piece, but not overly.
American Beauty. 1999. With Kevin Spacey, Annette Bening. A sad story about two adolescents who find each other (one is the voyeuristic next-door-neighbor), a bored middle-aged man who lusts after his daughter's girlfriend, a homophobic neighbor, a real-estate-crazed wife, and more. Well, told and highly visual, this story is witty and sad. I found it mainly enjoyable and interesting, but often too cynical and sad for my taste. But most of my friends liked it more than I did.
An Ideal Husband by Oscar Wilde. Delightful story about a husband who has something to hide. Has farcical aspects, such as conversations heard through shadowed doorways, mistaking one person for another, etc. Wilde's wit comes shining through, though not on a par with The Importance of Being Earnest.
Eyes Wide Shut by Stanley Kubrick, with Tom Cruise and Nicole Kidman. An overrated snooze. Has an excellent story and great visual scenes. But the pace is soooooo sloooooow. I found myself looking at my watch often.
Autumn Tale by Eric Rohmer. Excellent story of middle-aged love found, lost, maybe found again. Includes a somewhat unbelievanle premise, but more than compensated for by the realistic dialogue, sensititve portrayals both in writing, directing and acting, and the wholeness of the characters. Would that Americans could make this kind of movie! (Did Cassavetes do as well? Someone get back to me on that. )
Notting Hill, with Julia Roberts and Hugh Grant. A charming comedy about a big-time movie actress who descends into the life of a struggling bookstore owner in a lazy neighborhood in England. The script works well, and Hugh Grant emanates charm and amiable diffidence.
The Spy Who Shagged Me by Mike Myers, with Heather Graham - Suffice it to say that I laughed so hard, that Martha practically had to kick me to keep me from gagging. Yes, it had bad jokes that fell flat or worse, but any movie that sends me sprawling with hysterical laughter gets my 100% vote of appreciation.
Limbo directed by John Sayles - with Mary Elizabeth Mastranonio, David Strathairn, and Vanessa Martizez. Absorbing tale of Alaskans who meet and become involved in something unexpected. The central relationships are powerful and credible, which are the great strengths of this movie. Keeping it from being great are a scrip that you can hear being read by the actors during the first half of the movie, and an ending that I found unsatisfying. Withal, an enjoyable flick.
Analyze This - Bill Crystal and Robert Deniro. A hilarious comedy about a mob boss who needs therapy, with Crystal as the unwilling therapist. The 2nd in command capo, "Jelly," steals the show in my opinion. Lots of belly laughs, even if you're not a therapist.
Life Is Beautiful by Roberto Benigni. This film is by Italy's "clown prince." As you must have heard, it mixes the pathos and beyond-words brutality of the holocaust with a whimsical romance, and family tale. Some people were bothered by this odd admixture. Not me. I loved the story, enjoyed the buffoonery, and did not fault its unbelievable aspects.
Some people are very sensitive to this kind of film. If films dealing with any aspect of the Holocaust bother you, skip this movie. Otherwise, rest assured that it is nowhere near as gut-wrenching as, for example Sophie's Choice. Nor is it trying to be that kind of film. Rather, it's a simple, romantic, uplifting, and wonderful picture.